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00:00 - Intro
01:45 - Part 1: The Artist's Intention
09:41 - Part 2: Feeling the Right Emotions
20:25 - Part 3: The Art Market
26:50 - Part 4: Art and the Audience
BIBLIOGRAPHY:
Roland Barthes, “The Death of the Author”
Michael Baxandall, Patterns of Intention
Clive Bell, “The Aesthetic Hypothesis”
Thom Bettridge, “Hiding Out In Montauk With Lucien Smith,” in Ssense
Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”
Noel Carroll, “Interpretation and Intention,” in Metaphilosophy
R.K. Collingwood, The Principles of Art
Steven Connor, “Doing Without Art”
Ryan Coogan, “Why Are Right Wingers So Afraid of Modern Art?” in The Independent
Arthur Danto, “The Artworld”
Arthur Danto, The Philosophical Disenfranchisement of Art
George Dickie, “The New Institutional Theory of Art”
Lindsay Ellis, “Death of the Author”
Stanley Fish, “Is There A Text in This Class?”
Folding Ideas, “Annihilation and Decoding Metaphor”
Michel Foucault, “What Is An Author?”
Jacob Geller, “Who’s Afraid of Modern Art”
Harry Josephine Giles, “Give Up Art”
William N. Goetzmann, Luc Renneboog and Christophe Spaenjers, “Art and Money,” in The American Economic Review
Alan Goldman, “Interpreting Art and Literature,” in Journal of Aesthetics and Art Criticism
Andrew Goldtsein, “The Figure Is Back, Baby! At MoMA PS1's Greater New York, Artists Vanquish Zombie Formalism With People Art,” in Artspace
Sarah Hegenbart, “Zombie Formalism: Or How Financial Values Pervade the Arts”
Eric Hirsch, “In Defence of the Author”
Arnold Isenberg, “Critical Communication”
Matthew Kieran, “In Defence of Critical Pluralism,” in British Journal of Aesthetics
Paris Lees, What It Feels Like For A Girl
David Mamet, Theatre
Vladimir Nabokov, Pale Fire
Adam Phillips, Missing Out
Walter Robinson, “Flipping And the Rise of Zombie Formalism,” in Artspace
Sam Rose, Interpreting Art
Sam Rose, “The Fear of Aesthetics in Art and Literary Theory,” in New Literary History
Tim Schneider, “Who Survived the Zombie Formalism Apocalypse? We Surveyed the Wreckage of the Last Great Art-Market Fad,” in Artnet
Lisa Schiff, “Is This the Victory Lap We Were Hoping For? Why We Must Keep Women and Artists of Color From Becoming the Next Victims of Market Speculation,” in Artnet
Shaun, “Paul Joseph Watson Is Wrong About Art”
Richard Shusterman, “Beneath Interpretation,” in Monist
Susan Sontag, “Against Interpretation”
Patricia Taxxon, “The Kunst Saga: how the right wing views modern art”
Leo Tolstoy, “What is Art?”
Trashfuture ft. Jessica Eaton, “The Hanseatic Art World”
Wendover Productions, “The Art Market Is A Scam (And Rich people run it)”
W.K. Wimsatt, Jr. and Munroe Beardsley, “The Intentional Fallacy”
Unfoldment, Revealment, Evolution, Exposition, Integration by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
Source: http://chriszabriskie.com/reappear/
Artist: http://chriszabriskie.com/
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